‘Fascinating and forensically meticulous.’ John Banville, Guardian When Franz Kafka passed away in 1924, his faithful champ Max Brod might not bring himself to satisfy his good friend’s last guideline: to burn his staying manuscripts.
Rather, Brod dedicated the rest of his life to modifying, publishing and canonizing Kafka’s work. By betraying his good friend’s last desire, Brod two times saved his tradition– initially from physical damage, and after that from obscurity.
That betrayal was likewise ultimately to lead to a worldwide legal fight: as an author in German, should Kafka’s documents come to rest in Germany, where his 3 siblings passed away as victims of the Holocaust? Or, as a Jewish author, should his work be thought about as a cultural inheritance of Israel, a state that did not exist at the time of his death? Along with an acutely observed picture of Kafka, Benjamin Balint likewise traces the journey of the manuscripts Brod had actually saved when he left from Prague to Palestine in 1939 and provides a gripping account of the Israeli lawsuit that identified their fate.
He informs of a wrenching escape from the Nazi intruders of Czechoslovakia; of a love affair in between exiles stranded in Tel Aviv; and of 2 nations whose nationwide fascinations with the previous ultimately taken on in the courts.
For fans of Philippe Sands’ East West Street, in Kafka’s Last Trial Benjamin Balint welcomes us to think about Kafka’s exceptional tradition and to question whether that tradition belongs by right to the nation of his language, that of his birth, or that of his cultural affinities– however likewise whether any country state can claim ownership of an author’s work at all.
https://allcnaprograms.com/kafkas-last-trial-the-strange-case-of-a-literary-legacy/
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